When Meek Mill exposed Drake for using Miller as a “ghostwriter” in 2015, Miller found himself at the center of their beef. “When people know that you were a part of certain things, it makes people more prone to work with you. You know why? It helps with the business of writing,” he continued. “Writers post their work and talk about their work all the time. Miller also highlighted that the viral clip showed he mentioned other artists he’s written music for, including G-Eazy, Jeremih, and Ty Dolla Sign. That’s all that happened with the Nas shit.”
6 on the Billboard 200, Drake has produced a solid cycle of hits in both the hip-hop and pop scopes of music.Miller has worked with Hit-Boy for many years, and he said the producer credited him on the Nas song after he pulled up to the studio and threw “some ideas out.” He added, “I just bounced some ideas, a couple ideas win. Since the release of So Far Gone in 2009, which peaked at No. In October of 2018, Drake broke the Beatles’ record for the most top-10 singles on the Hot 100 chart in a year with his feature in “MIA” which is performed by Puerto Rican mc, Bad Bunny. What keeps Drake’s legacy out of harm’s way? It’s the hits, of course. The Toronto superstar’s lack of public shame diluted the message, because you can’t expose someone who is not embarrassed of the facts, or at least doesn’t show it. The flaw was turned into a standard characteristic of his music.
Miller was properly credited for his contributions to Drake’s album and so were many other composers, producers and writers. Meek Mill’s claims of how non-instrumental Drake is in his songs were met with a shrug of shoulders because it was information the Canadian-bred rapper already presented to the public. Ghostwriters are no longer taboo in hip-hop, but are presently cast as necessary evils to build a successful and charting track. It’s almost as if Drake’s willingness to allow a peek behind the curtain at his writing team has allowed other artists to feel more comfortable admitting to the fact. Drake’s ability to exude a raw honesty and emotion in his music made him popular in hindsight, but his ability to be open about the presence of the assistance on his records has also taken weight off his shoulders. Newer-age hip-hop fans are less considered with the notion of lyrical greatness or excellence and the criteria for what constitutes a solid lyrical performance has shifted. The lyrics are the bread and butter of a song, or at least that has been the case in the past. Although Drake has never been placed in this spectrum of artistry, the idea of the ghostwriter trivializes those very principles hip-hop purists stand upon.
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This, in turn, placed the audience’s attention squarely on production and how to most productively ride the beat. These young men were crowned “mumble rappers”, a style that hip-hop purists frowned upon because it removed the importance of the words and the story of the music. LAS VEGAS, NV – MAY 21: Rapper Drake poses in the press room with his awards for Top Artist, Top Male Artist, Top Billboard 200 Artist, Top Billboard 200 Album for ‘Views,’ Top Hot 100 Artist, Top Song Sales Artist, Top Streaming Artist, Top Streaming Song (Audio) for ‘One Dance,’ Top R&B Song for ‘One Dance,’ Top R&B Collaboration for ‘One Dance,’ Top Rap Artist, Top Rap Album for ‘Views,’ and Top Rap Tour during the 2017 Billboard Music Awards at T-Mobile Arena on in Las Vegas, Nevada.
Artists like Migos and Lil Yachty are two of the most popular acts of this time in hip-hop, but at the beginning of their careers, both were scolded for the lack of acknowledgement they showed for the history of the art form and the lack of lyricism either of the four brought to the table. Just check the landscape of the industry. There are far less hip-hop purists setting forth verdicts about the matter. The criteria for GOAT status in music, hip-hop specifically, changes with the generation.
There were a few punchlines that swarmed the internet for a moment, but with an intervention from another Drake hit, the mumblings grew silent and Drake was once again lauded for his propensity to drop hits, no matter the swing – be it from Pusha T or Meek Mill.Īt the end of it all, though, where will Drake sit in the timeless hip-hop GOAT conversation? Drawing a commercial-size audience is one thing, but does the presence of ghostwriters demote Aubrey Graham’s legacy among the greatest lyricists the game has seen? When Meek Mill “exposed” Drake for using Quentin Miller as a ghostwriter, a large sector of his fans was not surprised. Drake has been a non-stop hitmaker in hip-hop, but does the presence of ghostwriters in his camp dilute his legacy as a GOAT?
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